The past 2 months have been busy, hence the lack of updates. I’ve been meaning to sit down and share all the exciting things and news that have happened since the last post, but I’ve chosen to spend my non-day job time on drawing exercises and churning out new stuff.
Hopefully, I’ll be able to do that soon. Note to self: MAKE TIME.
Anyway, I’m sharing with you the output of today’s exercise feauturing this Filipino journalist who was on the cover of Esquire Philippines. He happens to be a favorite subject as well although I haven’t done any drawings of him recently.
I also haven’t done a proper portrait in a while so I got a little carried away and painted almost the entire day. Haha! I’m pretty satisfied with the outcome as I’m trying to veer away from how I typically do portraits, especially on the colors I use. I’m supposed to share a gif of the process, but my computer’s out of whack.
For the curious: Shin Han PWC & Escoda Optimo brushes (viaArtWhale.PH), Daniel Smith watercolor Dot Cards, and Arches Cold Pressed 300gsm 7x10in watercolor block.
This painting is actually for a little collaboration (#MariusxMegan) I’m doing with Marius Oczon (@mariusoczon) on Instagram: he cleverly positions my artworks in the photos he takes with the new Huawei P9. Can’t wait to see what he’ll come up with this one. I’ll be sharing the photos soon, but you may check out the project on Instagram using the hashtag above.
I’ve been on the lookout for a new watercolor sketchbook as I’m nearing the final pages of my three-year-old Moleskine. The Monologue sketchbooks have been getting quite a buzz from local watercolor hobbyists primarily because of its price point: a notebook is half or even a third of a price of a Moleskine.
So I got myself two – a small one to lug around and a bigger one for portraits, like so:
I was a little satisfied with it, but I’ve noticed inconsistency in terms of quality. Some areas have trouble absorbing the paint; it’s like there’s some waxy layer. And to be honest, I wasn’t really happy with its texture that reminded me of snake skin or burned chicken skin. Eventually, I shelved these sketchbooks and went back to the Moleskine.
A friend visited Japan last year, and he offered to get me art materials (THANK YOU!). I remember including the Strathmore and/or Watsons journal in my list, but unfortunately, these weren’t available when he dropped by Tokyu Hands. I forgot about these brands eventually. The search, however, continued.
A couple of weeks ago, a friend recommended getting the Strathmore sketchbook, which was available at local art supplies store, Deovir. I dropped by last Friday and got the Strathmore Art Journal 400 Series 300gsm/140lb Cold Press for Php1,290 (or USD 27.73).
The next day, I was able to squeeze in a test in between chores and errands. So I said “See you later,” to my pots and pans and waved “Hello!” to my paints and paper.
Here’s the drawing with the first washes:
Please take note that I use a lot of water for the first washes, and I like to layer in color.
I had to wrap up the exercise as this slave was summoned to the kitchen once more haha. At least I was able to finish the face.
The morning after, I had time to finish the rest and add more shadows. I’m not a fan of using black; I prefer mixing colors to create grays or use Neutral Tint or Payne’s Gray.
For this particular drawing I used Neutral Tint, Indigo, French Ultramarine, Mineral Violet, Burnt Umber, and even Sap Green to create the background and shadows.
And finally, before being summoned to the kitchen to help my brother cook lunch, I was able to finish the drawing and take an obligatory flatlay. Haha!
I use a lot of layers when I do portraits, and I’m happy to report that this sketchbook handled them well. Probably because it’s 300gsm (although there’s no assurance that if it’s 300gsm, it will perform well).
I also did some lifting and scrubbing, and the paper’s fibers didn’t come off.
I also love that it’s Smyth-sewn bound, which allows the book to be laid flat. If I’m drawing on small paper (like a postcard), I lay it flat on the table. Otherwise, I use a bookstand or an easel to draw because I hate straining my neck and back. I use a binder clip to hold the other page.
So yes, I’m pretty happy with this purchase! Woohoo! And yes, I definitely would recommend this sketchbook as well, most especially if you work with multiple layers and do a lot of lifting and scrubbing. I hope a smaller one will be on stock soon!
Here’s another close-up of the star of the movie Closer to end this little review. Cheers!
I love drawing human faces, and it brings me great joy and honor to be asked to draw them. I’ll probably talk about this in detail in a future post – a condensed version of a talk I gave at the University of Sto. Tomas a couple of months back.
Anyway. I did a quick scan of my posts, and I figured I haven’t featured some of these commissioned portraits.
So here we are and here we go!
First up: my first commissioned portrait in grayscale (Game of Thrones fans, not that kind of grayscale lol). The client dropped by the BGC Art Mart April 2015 leg and contacted me a week after.
A friend also asked me to do a portrait of his close friend for his birthday.
My cousin who flies planes for a living tapped me to draw his son, my nephew Mado, wearing some vintage flying gear. This portrait was then used for the invite and other collaterals of his first birthday party.
An orgmate from college asked me to draw her in-laws – the most faces I’ve done in a watercolor portrait. This was hand-carried to New Zealand as a gift.
And lastly, my boss commissioned me to draw his mother – a gift for her 88th birthday. What is pressure. Hahaha. This is the biggest I’ve done thus far – 10×14 inches on my beloved Arches hot pressed watercolor block.
Once again, I can’t thank all of my clients enough for entrusting me to do their and their loved ones’ portraits. In the words of Jay-Z, “Thank you, thank you, thank you, you’re far too kind.”
If you’re interested in having one made, just drop me a message on my email: firstname.lastname@example.org. Cheers, guys!
I love doing portraits of people I’m a fan of as I feel that it’s a great way of expressing my obsession love.
I was recently commissioned by someone who’s a huge fan of celebrity baby, Olivia Manzano Reyes, the daughter of Radio DJ and host Andi Manzano and club owner and restaurateur GP Reyes. I regularly see her pictures in my feed, with friends who are fans gushing just how cute this baby is.
And I couldn’t agree more.
The portrait proved to be quite a challenge because I don’t draw babies regularly; I’m not that comfortable or knowledgeable with the proportions. But as they say, growth/progress lies at the edge of your comfort zone so challenge accepted. *sweat drips from my forehead haha*
The reference photos was taken from her first birthday party, which had a jungle theme. Palace Pool Club, which her dad owned, was decorated with tropical foliage and cute animal elements like stuffed toys. I was recently given samples of French brand Sennelier by Art Whale PH, and I was able to use Hooker’s Green for the background as well as different greens from Holbein. I also used my go-to paints, Shin Han PWC (also available locally via Art Whale PH).
Here’s a peek on the process. Photos were taken using my phone.
And heres the finished painting. Yay!
Belated Happy Birthday, Baby Olivia! 😀
And if you are interested in having something done, shoot me an email at email@example.com.
Now apart from conceptualizing and scriptwriting duties, I was also tasked to do the illustration for the giveaway (Thanks so much, D!). Guests went home with 3 variants of the bar plus other bath essentials all encased in a large box, which they carried in this tote bag.
For those who are curious, I used a limited palette of Shin Han PWC watercolor (Opera, Alizarin Crimson, Neutral Tint, and Indigo if I remember it right) on 140lb Arches hot pressed watercolor block.
The illustration follows the brand’s signature pose featuring Valerie Weigmann, which you can see on the One Wash Wonder Facebook page.
I posted a work-in-progres on my Instagram account, and there were two who commented that the girl looked like actress and singer Tiffany Hwang. I actually had to Google her. Ooops!
Oh, and I must say that the hero variant, Rose and Milk, smells really, really good. I’m not into floral scents as they make me sneeze, but this one’s never cloyingly sweet nor floral. Just the scent alone tells you how it will feel on your skin: gentle and mild.
The new Olay Skin Whitening Bar is now available locally, and if you want to learn more about the One Wash Wonder, check out the official Facebook page.
Note: Event photos are from the Olay PH Facebook page.
Let’s begin with the song behind this month’s entry.
Click play please.
I love Bloc Party so much, I watched them twice in a span of one week in 2013 – in Singapore and then here in Manila. I haven’t listened to their new album though. But anyway.
If you look at the context of the entire song, it’s about a love for a past filled with moments that we hope we experience again in the present. We yearn for, we search for, and we hold on to these moments because they give reason to the otherwise mundane lives we lead.
Sometimes these moments involve those shared with your dearly beloved, albeit unreciprocated and therefore, in secret. Often these happen quickly, but your feelings taught you to be mindful both in his presence and in his absence. You take note of everything. And anything.
Maybe it’s his hand brushing yours. The emojis he punctuates his messages with. The way he smiles while telling you about his recent adventures. Your split-second glances that make all else fade into a blur.
You bury your head, your heart, your soul in these moments. For they are all you ever have and all you can ever ask. Yes, they bring you pain, but they too bring you life.
“Just give me moments. Not hours or days.”
Easily one of my favorite lyrics. EVER. And tears inevitably were shed when I heard this live twice.
Anyway, someone asked me last month what’s my mix for Serenity and Rose Quartz.
As with the January entry, I still used Shin Han PWC watercolors although this time I opted to use a cold-pressed Arches watercolor block (I typically opt for hot pressed). For Rose Quartz, I used Shell Pink, adding in a bit of Alizarin Crimson for the darker areas. For Serenity, I used Lavender with a little Indigo mixed in it. I also used Neutral Tint for the hair and the darkest features of both faces. (Shin Han PWC is available locally at Art Whale.)
I then scanned the original watercolor painting and did a little bit of rendering on Photoshop. Click on the links below to download. Enjoy!
I need closure in between writing event scripts, and usually I have to watch something, read, or draw. Haven’t drawn in daaaays so that’s what I did over yesterday’s morning caffeination procedure. Haha.
I used a limited palette of Shin Han PWC’s Shell Pink, Lavender, and Indigo and an Escoda Optimo No. 8 (all via Art Whale PH). Paper is a Daler Rowney Cold Pressed pad.
It’s almost the weekend, and I hope I get stuff done so I can draw (and maybe start on my drawing for next month’s entry for my Pantone Wallpaper Project). Cheers!